Real World Adobe® Illustrator® CS2 [Electronic resources] نسخه متنی

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Real World Adobe® Illustrator® CS2 [Electronic resources] - نسخه متنی

Mordy Golding

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Drawing Primitive Vector Shapes


Chapter 4, you'll find out how Illustrator's Pathfinder functions make it easy to add or subtract parts of paths, but for now, we'll explore how to create these primitive shapes.


Figure 2.9. By creating two circles and offsetting them, you can define the geometry you need to create a crescent shape. The Pathfinder palette, covered later in the book, makes it easy to create single shapes from multiple objects.

Illustrator's primitive drawing tools are split up between those that create closed path vector objects and those that create open path vector objects. Additionally, these tools are interactive in that you can specify or control certain settings while drawing shapes. To take advantage of this functionality, you choose a tool and begin drawing. As you hold down the mouse button, you're able to make changes to the shape you're creating, but once you release the mouse button, you commit the shape. Let's explore how this works.


Closed Path Shape Tools


The closed path tools in Illustrator comprise the Rectangle, Rounded Rectangle, Ellipse, Polygon, and Star tools, and are all grouped together in the Toolbox (Figure 2.10 ). To create any of these shapes, choose the desired tool, click the artboard, and drag outward. While dragging the mouse, you can add commands to interactively adjust the shape. See

Table 2.1 for a list of these interactive commands.


Figure 2.10. The closed path shape tools are all grouped together with the Rectangle tool in the Toolbox.

Chapter 9,

Graphs, Distortion, and Blends .


Open Path Shape Tools


The open path tools in Illustrator comprise the Line Segment, Arc, Spiral, Rectangular Grid, and Polar Grid tools, and they are all grouped together in the Toolbox (Figure 2.11 ). To create any of these shapes, choose the desired tool, click the artboard, and drag outward. While dragging the mouse, you can add commands to interactively adjust the shape. See

Table 2.2 for a list of these interactive commands.


Figure 2.11. The open path shape tools are all grouped together with the Line tool in the Toolbox.

Table 2.2. Drawing with Open Path Shape Tools

Interactive Command

Line Segment Tool

Arc Tool

Spiral Tool

Rectangular Grid Tool

Polar Grid Tool

Keyboard Shortcut

\ (backslash)

N/A

N/A

N/A

N/A

Shift

Shift constrains the path to angles in 45-degree increments.

Shift constrains the X and Y axis, creating a perfect quarter circle.

Shift constrains the path to angles in 45-degree increments.

Shift constrains the grid to a perfect square.

Shift constrains the grid to a perfect circle.

Option (Alt)

N/A

Option (Alt) draws the arc out from its center point instead of its corner.

Option (Alt) increases the length of the path.

Option (Alt) draws the grid out from its center instead of its corner.

Option (Alt) draws the grid out from its center instead of its corner.

Command (Control)

N/A

N/A

Command (Control) adjusts the decay of the path (making the winds of the spiral more drastic).

N/A

N/A

Spacebar

Spacebar allows you to reposition the path on the artboard.

Spacebar allows you to reposition the path on the artboard.

Spacebar allows you to reposition the path on the artboard.

Spacebar allows you to reposition the path on the artboard.

Spacebar allows you to reposition the path on the artboard.

Tilde

Tilde creates multiple copies of the path.

Tilde creates multiple copies of the path.

Tilde creates multiple copies of the path.

Tilde creates multiple copies of the path.

Tilde creates multiple copies of the path.

Up Arrow

N/A

Up Arrow increases the slope of the curve to make it more convex.

Up Arrow increases the number of segments in the spiral.

Up Arrow increases the number of rows in the grid.

Up Arrow increases the number of concentric dividers.

Down Arrow

N/A

Down Arrow decreases the slope of the curve to make it more concave.

Down Arrow decreases the number of segments in the spiral.

Down Arrow decreases the number of rows in the grid.

Down Arrow decreases the number of concentric dividers.

Right Arrow

N/A

N/A

N/A

Right Arrow increases the number of columns in the grid.

Right Arrow increases the number of radial dividers.

Left Arrow

N/A

N/A

N/A

Left Arrow decreases the number of columns in the grid.

Left Arrow decreases the number of radial dividers.

Moving the Mouse

N/A

N/A

Moving the Mouse in a circular motion rotates the path.

N/A

N/A

C

N/A

C draws the arc as a closed shape instead of an open path.

N/A

C, X skews the columns in the grid to the left or the right.

C, X skews the concentric dividers toward or away from the center.

F

N/A

F flips the X and Y axis of the path.

N/A

F, V skews the rows in the grid to the top or the bottom.

F, V skews the radial dividers toward the left or right.

V

N/A

N/A

N/A

F, V skews the rows in the grid to the top or the bottom.

F, V skews the radial dividers toward the left or right.

X

N/A

N/A

N/A

C, X skews the columns in the grid to the left or the right.

C, X skews the concentric dividers toward or away from the center.

Even though they are grouped with the open path tools, the Rectangular Grid and the Polar Grid tools create a combination of both open and closed paths.


Drawing by Numbers


For aspiring artists, you can buy a sheet of paper that uses numbers to indicate where colors are supposed to go, taking the guesswork out of the design process. Although being free to create is certainly a good thing, you don't want to be guessing when you've been asked to create a shape to an exact size. The methods of drawing that we've discussed to this point are purely for those in a creative state of mind. As you create each shape, your mind is saying, "Yeah, that's about right." However, there are times when you are required to specify exact dimensions for shapes, and Illustrator can be precise up to four decimal places.

To create any shape numerically, select the tool you need, click once on the artboard, and immediately release the mouse. A dialog appears, letting you specify exact values for the shape or path you want to create (Figure 2.12 ). For most shapes, this action uses the point where you clicked the artboard as the upper left corner of the shape. To draw a shape out from its center point from the place that you click, press the Option (Alt) key while clicking with the mouse.


Figure 2.12. Clicking a blank area on the artboard with a shape tool allows you to specify numeric values and create a shape precisely.

In Chapter 4, we'll discuss how you can use the Control palette or the Transform palette to change an existing object's dimensions numerically as well.

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