The One-stop Shop
Realizing that the iTunes Music Store (hereafter known simply as The Store) would be most successful if it were easy to use, Apple eschewed the typical Internet-commerce model of creating a Web site that users accessed through a Web browser. Although this model worked reasonably well for countless merchants, it invariably required customers to slog through Web page after Web page to find and pay for the items they desired. Apple wanted a service as immediate as the experience of going to a record store, gathering the music you want, and taking it to the counter.To replicate this experience, Apple placed The Store inside an application that was already built for music browsing and that many of its customers were likely to be familiar with: iTunes 4.Incorporating The Store into iTunes offered several benefits:It's easy to access. Just open iTunes (version 4 or later), and click the Music Store icon in the Source List. If your computer is connected to the Internet, the iTunes Music Store interface appears in the main iTunes window.
In short, the entire process is about as complicated as ordering and eating a Big Mac and fries (and a whole lot healthier!). Easy to use as it may be, however, The Store has hidden depths. In the following pages, I'll explain all that there is to know about The Store and tell you how you and your iPod can put it to the best use.
What's in Store?
When Steve Jobs flung open the doors of the iTunes Music Store on April 28, 2003, he boasted that The Store offered more than 200,000 songs from the Big Five recording companies: BMG, EMI, Sony, Universal Music, and Warner. This is quite a passel of music by anyone's standards. In the following months, Apple bulked up its catalog to the tune of one million songs (and counting), adding more music from the Big Five as well as incorporating the catalogs of several independent labels.Although The Store carries a wide variety of audio recordingseverything from comedy to country to rock to classical to world musicthe bulk of the material is of the variety that my college music-theory professor termed "pop tunes." As we go to press, the pop catalog has some fairly glaring gapsyou won't find recordings by the Beatles or Led Zeppelin, for exampleand offerings by such popular artists as The Beach Boys, Elvis Costello, and King Crimson are limited (okay, so I'm showing my age).Such gaps can't be attributed to anyone's lack of forethought, because Apple would love to have these artists in its catalog. The difficulty is that the works are so popular that the artists and their representatives can afford to hold out for better terms, requiring Apple to cut a special deal with them. (Such a deal was made for the Eagles' catalog, for example.) As these deals continue to be cut, you'll see a better-rounded catalog.
• IndexSecrets of the iPod and iTunes Fifth EditionBy
Christopher Breen Publisher: Peachpit PressPub Date: December 20, 2004ISBN: 0-321-30459-4Pages: 488