Index
[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[X]
[Y]
[Z]
camera rolls
transfers
Capture Scratch directory
capturing/captured media
24p DV capture and pulldown film
frame rates
24P DV render and pulldown errors
audio capture
Batch Capture window
capture device selection, genlock
capture mode
Capture Now
direct-to-disc camera files
dropped frames
consistently 2nd
intermittently 2nd
DV over FireWire
file management
FireWire capture problems 2nd
HDV over FireWire
medium selection
deciding factors
film negatives
picture capture
direct to-disk-camera files
film negatives
overview
selection factors
tapes
process
combining video and audio
complete tape
editing marked clips and subclips
importing media
logging and capturing media
merged clips
planning
sync point marking
sound capture
DAT tapes 2nd
files
hard disk recorders 2nd
overview
picture tapes
sync techniques
stand-alone uncompressed systems
device selection
installing capture cards 2nd
sync techniques, SMPTE
video capture
DV over FireWire
FireWire DV converters
FireWire uncompressed converters
HDV over FireWire
internal HD and SD cards
PCI cards
syncing audio and video
CCIR-601specification
[See ITU-R BT.601 specification]
CDs (compact discs), archive medium
change lists
exporting
integrity
leaders
pull lists 2nd
chroma color
chroma crawls
CIFS (Common Internet File System)
Cineform HD codec
Cinema Tools
appending filename extensions
audio EDLs
change lists 2nd
change pull lists 2nd
clip preparation
capture mode
commands, Batch Reverse Telecine
commands, Conform feature 2nd
commands, Reverse Telecine
field patterns
key number patterns
cut lists 2nd 3rd
comparing keycode numbers against edited sequences
fixing missing elements
locating/matching records, clip- and timecode-based
reel adjustments and balances
database
accuracy
Connect Clips command
Detail View
Find command
importing telecine events log
importing/exporting XML batch list
List View
manual input
manually entering scene and shot information
overview
Reconnect Clips command
Synchronize command
discard lists 2nd
dupe lists
film clip naming conventions
film lists
comparing window burns of key numbers or ink numbers
duplicate frames
exporting
film standards
film supported
Find command 2nd
foreground layer lists
information exchange
missing elements lists
motion effects lists
comparing window burns to key code numbers
optical lists
overview
pull lists
Reverse Telecine feature
scene lists
warning lists
Cinepak
CIPs (Customer Installable Parts)
clips
clip-to-database links
Creator property
frame rates, changing
merged clips
mismatched attributes
motion attributes
naming conventions
nesting with keyboard shortcuts
preparation
capture mode
field patterns
key number patterns
long frames
Reverse Telecine command
recapturing
reconnecting
altered
mismatched attributes
missing
Reconnect Clips Cinema Tools command
sharing
clusters
codecs (COmpressor/DECompressors)
Capture
data reduction
DCT
intraframe
lossless/lossy
overview
spatial
temporal
wavelet based
color
composite color
Mac OS X system preferences
Color Corrector (one-way)/Color Corrector (3-way)
color space
color difference components
problems with differences
clipping 2nd
luma and chroma clamping 2nd
RGB and YUV
color television broadcasting
color television recording
color under
component recording
timing differences
digital recording
direct color
playback
timebase errors
colorburst signals
Comment A/B columns, exporting to EDL
Comments (Spotlight)
Common Internet File System (CIFS)
compact cassette analog audio formats
component analog video interfaces 2nd
component recording
gain imbalances
ITU-R BT.601 specification
timing differences
composite analog video interfaces 2nd
composite color
composite recording
Compressor 2nd
converting frame rates
COmpressor/DECompressors
[See codecs]
computer systems
ADC
AGPs
CIPs
desktops
device drivers/interconnections
DVI
GPUs
PowerPC G4 or G5 processors
RAM
VGA
Conform feature, Cinema Tools 2nd
conforming film negatives
definition
consumer TV, playback monitor
contact printing
standard-length durations and cut handles
transitions
Control-L control interface 2nd
Control-M (Panasonic 5-pin) control interface 2nd
Control-S control protocol 2nd
Core Audio Drives
cross-color and -luma artifacts
CRT monitors
Customer Installable Parts (CIPs)
cut handles
preferred allowances
cut lists 2nd
comparing keycode numbers against edited sequences
fixing missing elements
locating/matching records, clip- and timecode-based
reel adjustments and balances
cutback frames
cylinders