Index[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[Z]
Macintosh platform audio drivers Audio Preferences 2nd audio editing programs installing Reason 3.0 audio hardware requirements installing Reason 3.0 Reason setup wizard 2nd 3rd sound banks 2nd system requirements major intervals Malström Graintable Synthesizer audio inputs external synths 2nd external synths through filters 2nd Mod A use on oscillators comb filters 2nd creating 2nd creating pads Mod A pitch knob 2nd Mod B pitch knob modulating Osc B and Mod A setting up Mod A to control OscA setting up Osc B setting up/programming OscA typical sustained voice vibrato filter envelopes formants, shifting Mod wheel controls routing signals adding shapers to Osc A Shaper section Spread knob for outputs velocity controls waveforms adjusting motion 2nd changing Index slider 2nd writing melody tracks mastering MClass Compressor breathing compression setup pumping subchain de-essing subchain ducking 2nd terminology three-band compression 2nd 3rd MClass Equalizer adjusting 2nd boosting high frequencies cutting subsonic frequencies Q dip subchain de-essing MClass Master Suite Combi MClass Maximizer 2nd MClass Stereo Imager 2nd 3rd multiband compressors splitting low-and high-band outputs 2nd three-band compression 2nd 3rd overview setup checks system checks Matrix Pattern Sequencer Curve settings Randomize Pattern command sequencing parameters Edit commands Gate settings CV input/output Edit commands instruments, connecting to Mixer channels Note CV input/output sequencing with Combinator sounding notes on Matrix MClass Compressor breathing compression setup pumping subchaining de-essing ducking 2nd terminology three-band compression 2nd 3rd MClass Equalizer adjusting 2nd boosting high frequencies Q dip subchain de-essing MClass Mastering Suite Combi 2nd new features MClass Maximizer 2nd MClass Stereo Imager 2nd 3rd metronome Microsoft multimedia extensions
[See MMEs] Microsoft/IBM WAV format MIDI controls, SubTractor Bend wheel Mod wheel MIDI keyboards computer music notation connecting external input 2nd selecting during installation 2nd MIDI tracks recording routing to NN-19
[See tracks] minor intervals Missing Sounds dialog box Mixer chaining in parallel 2nd creating instruments balancing multiple parts setup master Mixer automating new features playing songs audio channels indicators channel fader control for volume Solo/Mute buttons mixing automating mixes master Mixer recording mix moves with Sequencer 2nd controlling devices with multiple Sequencer tracks 2nd definition guidelines 2nd saving mixing notes with songs multiple mixes signal levels, maintaining headroom submixing 2nd master Mixer organizing submixes starting project inside Combinator with Combinator unity gains with Combinator remixing 2nd 3rd 4th MMEs (Microsoft multimedia extensions) audio driver preferences hardware compatibility mod envelopes NN-XT for brightness 2nd for pitch 2nd SubTractor adjusting sustain, decay, and release values pitch-modulating Osc 1 with attack using decay stage on short notes Mod wheel Dr. Rex Loop Player SubTractor Mode controls, articulation of notes 2nd modulation envelope
[See mod envelopes] mono samples, panning multi-track recording hardware and software required Reason 3.0 shareware and freeware multiband compressors splitting low-and high-band outputs 2nd three-band compression 2nd 3rd multiplication phase type, waveforms musical instrument digital interface
[See MIDI keyboards] |