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Sons.Illustrator.CS.For.Dummies [Electronic resources] - نسخه متنی

Ted Alspach

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Table of Contents

Illustrator CS For Dummies

About This Book

Why I Wrote This Book

What You Don't Need to Read

Foolish Assumptions

How This Book Is Organized

About All Those Little Icons

Road Signs along the Way

Where to Go from Here

Part I: Driving People Crazy - Illustrator's Bum Rap

Chapter 1: Introducing the World of Illustrator

From Humble Origins to Master of the Graphics Universe

Starting Up Illustrator and Revving It a Little

Exploring the Illustrator Workspace

Defining the Document Area

Opening Existing Documents

Viewing Illustrator Documents

Using Templates

Saving Illustrator Documents

Changing Your Mind

Printing Illustrator Documents

Closing Documents and Quitting Illustrator

Chapter 2: Following the Righteous Path

Whether Paths or Pixels Are Better

How Paths and Pixels Compare

Paths and Printing

Gray's Anatomy of a Path

Chapter 3: Doing Everyday Things with Illustrator

Picking Up Stuff and Moving It Around

Using the " Hard " Stuff

Entering the Wide World of the Web

Saving the World

Using Illustrator for What It Does Best

Part II: Drawing and Coloring Your Artwork

Chapter 4: Shaping Up, Basically

Creating Basic Shapes

Putting Shapes Together

Creating Objects by Using the Pathfinder Palette

Chapter 5: Getting Your Fill of Fills and Strokes

Understanding Fill and Stroke

The Swatches Palette

The Color Palette

Filling with Patterns and Textures

Using the Gradient Fill

Chapter 6: Selecting and Editing Paths

Selecting with Different Methods

Selecting Magically with the Magic Wand

Selecting without Tools: The Select Menu

Editing and Adjusting Points

Chapter 7: Wielding the Mighty Pen Tool

Performing with the Pen, the Path, and the Anchor Points

Creating Straight Lines with the Pen Tool

Open and Closed Paths

Creating Super-Precise Curves with the Pen Tool

Drawing Shapes with the Pen Tool

Chapter 8: Creating Straight and Curved Lines without the Pen Tool

Using the Pencil Tool as a Pencil

Cherishing the Multipurpose Pencil Tool

Using the Pen with the Pencil

Lines Made Quick and Easy

Curvy with the Arc Tool

Chapter 9: Creating Magnificent Brushstrokes

Brushing Where No Stroke Has Gone Before

Creating a New Brush

Working with the Different Brush Types

Chapter 10: Extreme Fills and Strokes

Messing Around with Meshes

Making Objects Partially Transparent and Blending Colors

Discovering How Strokes Work

Caps, Joins, and Dashes

Chapter 11: Effectively Keeping Up Appearances, with Style(s)

The Effect Menu

The Appearance Palette

Figuring Out Styles

Part III: Taking Your Paths to Obedience School

Chapter 12: Pushing, Pulling, Poking, and Prodding

Understanding the Five Transformation Sisters

Additional Transformation Tidbits

Blending: The Magic Transformation

Chapter 13: Organizing Efficiently

Stacking Illustrator Artwork

Managing the Mess

Imposing Slavish Conformity with Groups

Part IV: Practically Speaking: Type, Print, and Files

Chapter 14: Introducing Letters and Such (Type 101)

Using the Word Processor from Outer Space

Introducing the Strange Land of Type

Exploring Size, Leading, and Other Mysterious Numbers

Adjusting Entire Paragraphs

Typing on a Path

Typing inside a Path

Typing around a Path

Flowing Type from Path to Path

Adjusting the Path (Not the Type)

Using Type as a Mask

Converting Type to Paths

Chapter 15: Printing Your Masterpiece

Printing Quickly

What You See Is Roughly What You Get

Setting Up Your Page to Print (You Hope)

Printing Mechanics

All about Way-Scary Separations

Chapter 16: Putting Your Art on the Web

From Illustrator to the Web

Creating Web-Specific Pixel Graphics

Creating Web-Specific Vector Graphics

Slicing and Dicing Your Graphics

Chapter 17: Moving Files Into and Out of Illustrator

Bringing Files Into Illustrator

Getting Files Out of Illustrator

Working with Illustrator and Photoshop

Using Adobe Illustrator with Nearly Everything Else

Part V: The Part of Tens

Chapter 18: Ten Production-Enhancing Tips

Use Photoshop Effects, Not Photoshop Filters!

When White Isn't Nothing

Expanding to Get to the Root of the Artwork

Taking a Tip from Illustrator

Changing Your Units Whenever You Want

Reusing Your Brushes, Swatches, and Libraries

Avoiding Russian Dolls

Selecting Type When You Want

Chapter 19: Ten (Or So) Ways to Customize Illustrator

Positioning Palettes

The Flexible Toolbox

Changing the Items on the Menu

The Start-Up Document

Changing the Default Settings

Changing Hidden Commands You Never Knew About

Using a Master Document

Sticky Settings

Bonus Chapter 1: Taking Images Out of the Realm of Reality

Applying Distortion Effects

Creating Graphic Ooze with Liquification

Pushing the Envelope

More Dimensions than a 2D Program Should Have

List of Figures

List of Sidebars

توضیحات

افزودن یادداشت جدید

Index

J

join, 194, 196–197

JPEG (Joint Photographic Experts Group) file format

GIF file format compared to, 297

overview of, 296, 298, 326–327

saving graphic in, 305–306

as standard, 332

uses of, 299

Justify All Lines (Paragraph palette), 269, 276

Justify Full Lines (Paragraph palette), 269