Real World Adobe® Photoshop® CS2 [Electronic resources] : Industrial-Strength Production Techniques نسخه متنی
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CopyrightPreface: Photoshop in the Real WorldAsk Your PrinterThe Depth of UnderstandingThis EditionA Word to Windows UsersThank You! Chapter 1. Building a Photoshop System: Putting It All TogetherHardwareThe Power of Photoshop Chapter 2. Essential Photoshop Tips and Tricks: Making Photoshop FlyUpgrading to a New VersionWindowsNavigationMoving PixelsDialog BoxesKeyboard ShortcutsMenu CustomizationWorkspacesToolsPalettesBridgePreferencesWhen Things Go WorngEaster EggsThe World of Photoshop Chapter 3. Image Essentials: It's All Zeros and OnesPixels and PathsPixels and ImagesResolutionHow Much Is Enough?ResamplingImage ModeBitmaps and File SizeBillions and Billions of Bits Chapter 4. Color Essentials: What Makes a ColorPrimary ColorsThe Color WheelHow Colors Affect Each OtherDevice-Independent ColorWorking with Colors Chapter 5. Color Settings: Understanding Photoshop's Color ManagementControlling ColorColor Management Systems ExplainedColor Management in PhotoshopThe Conceptual FrameworkPhotoshop and the MonitorColor SettingsThe RGB Working SpaceChoosing a CMYK Working SpaceChoosing a Gray Working SpaceSpot SpacesColor Management PoliciesColor Settings with More OptionsThe Color PickerApplying Profiles Outside Color SettingsSoft-Proofing ControlsConverting at Print TimeIsolating Variables Chapter 6. Image Adjustment Fundamentals: Stretching and Squeezing the BitsStretching and Squeezing the BitsTonal-Correction ToolsThe Histogram PaletteThe Info PaletteMore Tonal-Correction ToolsLevelsCurvesColor ConcernsHands-On Levels and CurvesLevels and Curves ReduxHue, Saturation, and LightnessReplace ColorSelective ColorChannel MixerPhoto FilterShadow/HighlightTools We Don't UseMastering the Tools Chapter 7. The Digital Darkroom: Layers, Masks, Selections, Channels, and MoreWhy Use Adjustment Layers?Why Not Use Adjustment Layers?Adjustment Layer BasicsSimple Adjustment LayersSelections, Masks, and ChannelsAdvanced Adjustment LayersBeyond Adjustment LayersBeyond Adjustment LayersAdvanced Pixel BlendingHistory and Virtual LayersDarkroom Experiments Chapter 8. Making Selections: Getting Just What You NeedMasking-Tape SelectionsSelection ToolsQuick MasksAnti-Aliasing and FeatheringChannelsThe Select MenuSelections and LayersStep-by-Step SelectionsMasks, Channels, and Life Chapter 9. Sharpness, Detail, and Noise Reduction: Getting an Edge on Your ImageDetail and NoiseLens DefectsSharpeningUnsharp MaskingHow the Unsharp Mask Filter WorksWorking the ControlsSharpeningWhy, How, and When?Sharpening TechniquesSharpening Without Unsharp MaskTechniques in the WorkflowNoise ReductionSmart SharpenLens CorrectionAvoiding the Crunchies Chapter 10. Spot Colors and Duotones: Special Inks for Special ProjectsSpot Colors from PhotoshopSpot-Color ChannelsMultitone ImagesPhotoshop's DuotonesAdjusting Screen ColorsSetting CurvesTurning Grayscale to ColorSimulating Spot Colors in CMYKSaving and OutputtingBillions of Shades of Gray Chapter 11. Building a Digital Workflow: Making Quick Work of Raw ImagesDigital Raw FormatsCamera Raw, Photoshop, and BridgeCamera Raw Static ControlsThe Camera Raw MenuThe Main Control ButtonsCamera Raw Workflow ControlsCamera Raw Image ControlsFilmstrip ModeAdobe BridgeBridge WindowsBridge Menu CommandsWorking in BridgeWorkflow PrinciplesPlanning and StrategyWorkflow PhasesImage IngestionImage VerificationThe Preproduction PhaseThe Production PhaseUsing BatchRecording Batch ActionsRunning BatchMake the Work Flow Chapter 12. Essential Image Techniques: Pushing Pixels into PlaceTaking Care of the BasicsThe Color of GrayscaleLine ArtRescreensHDR ImagingRetouchingCompositing ImagesVectors vs. PixelsText and TypographyFilters and EffectsActions, Automate, and ScriptingNew Techniques Chapter 13. Image Storage and Output: Managing Files for Fast ProductionStoring ImagesSave As OptionsFile FormatsFile Formats for PrintFile Formats for Multimedia and the WebNiche File FormatsCompressing ImagesFile MetadataOutput MethodsContone vs. HalftoneImage DifferencesImaging from PhotoshopImaging from a Page-Layout ProgramGetting It Out Chapter 14. Multimedia and the Web: Purposing Pixels for the ScreenPreparing ImagesSaving Your ImagesMore Web ToolsThe Future of PublishingProduction Notes: How We Made This BookOur SystemsWriting, Editing, and Page LayoutImagesPreproofingAuthor! Author!: Where to Reach UsImage Credits: And PermissionsIndex
