HOW TO USE Adobe® Photoshop® CS2 [Electronic resources] نسخه متنی

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HOW TO USE Adobe® Photoshop® CS2 [Electronic resources] - نسخه متنی

Daniel Giordan, Doug Nelson

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  • Task 9 How to Convert Images to Grayscale


    If you are going to print a color image in black and white, you should convert a copy of it to grayscale first. At first glance, converting an image to grayscale seems like an easy task: You select Image, Adjust, Desaturate to remove all the color (or better yet, let the printer force the image to gray). What could be easier? The problem with this approach is that the proper tonal range for all image areas might not be emphasized. In this task, you optimize the tones so there is detail everywhere, ensuring that the central subject is well represented.

    1. Open the File in Photoshop


    Select File, Open or click the Go to Bridge button on the Options bar to open Bridge and double-click the color image you want to open.

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    2. Convert to Lab Color


    Select Image, Mode, Lab Color to convert the image to the Lab color space. Lab color maintains a larger range of tones in the image than does any of the other color models.

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    3. Open Channels


    Select Window, Channels to open the Channels palette. Click the Lightness channel to make it visible and to make it the active channel. In Lab color mode, the Lightness channel preserves all the luminance data in the image, separate from any color information, giving you more control over tone distribution. Other grayscale options interpret color information as grayscale data, distorting the tonal range.

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    4. Modify with Curves


    Select Image, Adjustments, Curves to open the Curves dialog box. Modify the curves as described in Task 3 to enhance the contrast and range for your image as necessary.

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    5. Duplicate Channel


    With the Lightness channel still selected, open the Channels palette menu and select Duplicate Channel. In the dialog box that appears, name the new file and select New from the Destination pop-up menu. This action saves the Lightness channel to a new file that you can modify further.

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    6. Close the Original File


    Close the original file by selecting File, Close. Click No when asked whether you want to save changes to leave the original color file untouched.

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    How-To Hints


    Another Approach

    As an alternative to converting the file to Lab color as explained here, you can keep the file in RGB mode. In this approach, click each channel in the Channels palette to view a grayscale rendition of each channel. You will see a wide range of grayscale variations based on the color in the image. If you see one with the tone and contrast you like, select and copy the grayscale channel and paste it in a new file.


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