Index[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[X]
[Z]
cache Bridge 2nd cache-building process caching multiple folders Camera Raw centralized 2nd distributed 2nd exporting image cache preferences increasing interrupting Photoshop 2nd 3rd purpose of cache files Cache Levels setting caching multiple folders Calculations command Calibrate tab, Camera Raw dialog box 2nd calibrating monitors 2nd calibration bars camera profiles 2nd Camera Raw cache Camera Raw database 2ndCamera Raw dialog box Adjust tab alternate buttons automated conversions background processing 2nd Bridge/Camera Raw integration Brightness slider 2nd 3rd Calibrate tab 2nd Camera Raw menu Cancel button changes to Chromatic Aberration sliders Color Noise Reduction slider Contrast slider 2nd 3rd cropping images Curve tab Depth popup menu Detail tab Done button dynamic controls 2nd editing in 2nd Export Settings command Exposure slider 2nd 3rd filmstrip mode 2nd Highlights checkbox histogram illustrated image controls integration with Bridge keyboard shortcuts Lens tab Luminance Smoothing slider main control buttons noise reduction Open a Copy button Open button opening files in 2nd output controls preferences 2nd Preview checkbox ProPhoto RGB renderings Reset button RGB readout rotating images Saturation sliders 2nd Save button saving images in background 2ndsettings
[See Camera Raw settings] Shadows checkbox Shadows slider 2nd 3rd Sharpness slider 2nd Size popup menu Space popup menu static controls straightening images Synchronize feature Temperature control 2nd 3rd Tint control 2nd tone mapping controls Tool palette turning off auto-correction Use Auto Adjustments feature Vignetting sliders white balance controls 2nd 3rd workflow controls Zoom Level menu zoom tool Camera Raw filmstripCamera Raw images Adjust tab controls 2nd batching bit depth options brightness adjustments 2nd 3rd camera profiles 2nd chromatic aberration, correcting color balance adjustments 2nd color management color noise reduction color space conversions color temperature adjustments 2nd 3rd combining multiple renderings of contrast adjustments 2nd 3rd curves, adjusting custom settings default camera settings 2nd exposure adjustments 2nd 3rd filmstrip mode 2nd highlights 2nd 3rd histogram image settings labels lens issues, correcting luminance smoothing metadata 2nd naming/renaming 2nd 3rd opening 2nd 3rd Preferences presets previous conversion settings profiles 2nd ratings resampling options resolution options saturation adjustments 2nd saving saving in background 2nd sharpening options and adjustments 2nd 3rd showing sorting supported file formats synchronizing tint adjustments 2nd vignetting, correcting white balance adjustments 2nd 3rd Camera Raw menu Camera Raw plug-in 2nd 3rdCamera Raw settings applying 2nd clearing copying defaults for individual images loading pasting to multiple images rules for opening files rules for running batch operations rules for saving files saving 2nd strategies for camera RGB Cancel button, Camera Raw canned curves canned profiles 2ndcanvas aligning to enlarging selecting outside canvas Caption setting, Print with Preview captions 2nd capture sharpening 2nd 3rd 4th 5th capture spaces card readers cascading style sheets (CSSs) 2nd cell phones, file formats for Center Crop Marks Channel Mixer 2nd 3rd channels adding to selections 2nd adjustment layers and as selection masks 2nd 3rd calculating file size CMYK mode color 2nd compatibility in other programs composite 2nd converting selections to converting to Grayscale converting to selections copying to layer masks described 2nd displaying histogram for edge masks extracting images file formats, saving options 2nd 3rd 4th in JPEG files intersecting selections 2nd Lab mode Levels sliders, effects on channels loading selections 2nd manipulating in actions Multichannel mode QuarkXPress and RGB mode saving in other documents 2nd saving selection channels 2nd selecting subtracting from selections 2nd unclipped viewing in multitone images vs. masks/selections vs. paths Channels palette Character palette 2nd characterizing monitors 2ndcharacters case of widths Chavez, Conrad Check Spelling choking 2nd chromatic aberration 2nd 3rd 4th Chromatic Aberration sliders 2nd chromaticityCIE color models and soft-proofingLab mode
[See Lab mode] Cineon file format circle selections Classic separation engine clipboard 2ndclipping black point clipping display 2nd color clipping 2nd 3rd gamut clipping highlight clipping 2nd 3rd highlight clipping display saturation shadow clipping 2nd 3rd 4th shadow clipping display white point clipping display 2nd clipping display 2nd clipping groups clipping images clipping paths [See also paths] creating 2nd described edges file formats for 2nd 3rd flatness layer selecting uses for vector graphics width and inset clipping percentages Clone Stamp tool 2nd cloning 2nd CMMs (color matching methods) 2nd 3rdCMS.
[See color management] CMYK black channel settingCMYK color model device-dependent color in color wheel relation to other color models 2nd subtractive primary colors 2nd CMYK editing CMYK histogramsCMYK images bit depth converting to Grayscale converting to RGB printing from page-layout programs TIFF filesCMYK mode Convert to Working Space (policy) high-resolution inkjet printing Magic Wand selection tool myths about Off (policy) output method considerations overview pixel values Preserve Embedded Profiles (policy) selections, from color channels simulating spot colors 2nd vs. Duotone and Multichannel vs. RGB mode 2nd 3rd when to useCMYK multitone images converting from Duotone converting from grayscale curve adjustments 2nd custom profiles Duotone vs. CMYK and Multichannel file formats output considerations simulating spot colors 2nd CMYK numbers 2nd CMYK plates CMYK PreviewCMYK profiles blends and file size selecting as working space CMYK valuesCMYK working spaces black generation settings black ink limit setting 2nd 3rd built-in press profiles 2nd 3rd customizing dot gain for desktop printers for inkjet printer output for photographic printer output for Postscript RIP output ICC profiles 2nd 3rd ink sets selecting CMYK profiles separation options separation type settings total ink limit setting tuning CMYK Preview undercolor addition (UCA) setting coated stock 2nd 3rd CoCo plug-in collections, saving ascolor additive primary colors 2nd 3rd advanced controls auto background clipping 2nd 3rd color editing issues complementary colors 2nd concerns contrasting controlling device-independent device-specific forcing transparency foreground image modes indexed 2nd ink interleaved and non-interleaved data JPEG compression and labels Levels in locking in color tables matching matte modes, switching between options for saving files out-of-gamut per-document primary colors prioritizing in palettes 2nd replacingsaturation
[See saturated colors] secondary colors selecting 2nd selectivespot
[See spot colors] subtractive primary colors 2nd swapping in color lookup tables switching between Web image issues working with Levelscolor balance adjustments Camera Raw images 2nd eyedropper tools with Color with Color Fill with Color Range with Curves 2nd Color Balance command color bars 2nd Color blending mode Color Burn blending modecolor cast adjustments with Auto Color with Curves 2nd with eyedroppers with grayscale with layer blending color channels as selection masks 2nd composite channel described edge masks Levels in navigating placing curve points in selecting channels selections using Grow Color Checker SG Color Correction Pro Color Correction slidercolor correction tools Auto Color 2nd 3rd 4th History and History palettecolor corrections density, building f-stop-based corrections out-of-gamut colors output method considerationstools
[See color correction tools] Color Dodge blending mode Color Fill layer 2nd color fringing 2nd color halftones Color Handling popup menu color inkjet output color lookup tables 2ndcolor management aim points Camera Raw color settings presets components controls converting images between profiles 2nd disabling 2nd engines 2nd 3rd 4th environment and color EPS files 2nd image degradation importance of isolating variables overview 2nd Photoshop, prior versions PostScript Color Management 2nd Print with Preview printers printing from page-layout programs profiling tools proofing simulations purpose of reference color space soft-proofing controls tagged/untagged images TIFF vs. EPS images turning off 2nd Web image issuesworking spaces
[See working spaces] Color Management Off preset Color Management options panel 2nd 3rdColor Management Policies color management overview color setting presets Convert to Working Space 2nd embedded profiles Off overview Preserve Embedded Profiles 2nd color matching methods (CMMs) 2nd 3rdcolor modelsCMYK.
[See CMYK color model] HSB Lab 2ndRGB.
[See RGB color model] switching between color modes tristimulus models color modes color noise 2nd Color Noise Reduction slider Color palettecolor palettes color reduction and forcing colors into indexed color images prioritizing colors in 2nd saving color panel controls Color Picker 2nd 3rd 4th 5thcolor profiles
[See profiles] Color Range fixing color balance with Fuzziness setting in Sample Merged mode inverting selections masking with previewing selections sample points selecting specified colors 2nd color range controls color reduction methods Color Replacement tool Color Sampler tool 2nd 3rd color samplers color schemescolor separations adding spot colors Custom CMYK options DCS files EPS files file formats and 2nd for color laser printers for contone devices for dye-sublimation printers GCR separations 2nd 3rd JPEG compression and labeling separations newsprint, suggested settings Photoshop Classic separation engine printing from page-layout programs printing separation plates registration marks screen previews and sheetfed presses, suggested settings single plates, printing testing separation options TIFF files typical separation settings UCR separations uncoated stock, suggested settings web presses, suggested settings Color Settings accessing Advanced Controls Advanced Mode 2nd Blend RGB Colors Using Gamma CMYK menu Conversion Options section Desaturate Monitor Colors By Engine menu Gray menu Intent menu presets RGB menu Settings menu Spot menu Use Black Point Compensation Use Dither Color Settings dialog boxcolor space conversions applying or removing profiles black point compensation Camera Raw images 2nd CMM, specifying color management policies Color Settings dialog box Convert to Working Space converting images between profiles data loss and default rendering intent dithering Missing Profile warning Off (policy) Preserve Embedded Profiles Print with Preview profile warnings source profiles target profilescolor spaces black point compensation converting to profiles defined device-independent profile connection space reference color space setting large spaces working spaces vs. device color spacescolor swatches adjusting Color palette test swatches 2nd 3rd Color Table 2nd color temperature [See also light temperature] Camera Raw adjustments 2nd 3rd lighting and 2nd color-matching engines 2nd Colorbrator script colorimeters 2nd colorimetric intents 2nd colorimetric rendering Colorize optioncolorizing black-and-white images EPS files grayscale images ColorMatch RGB 2nd 3rd 4th ColorSync ColorSync CMYK option ColorSync Workflow preset ColorSyncXT ColorVision columns comb-like histograms Compact Flash cards Compact mode Comparative blending modes compatibility 2nd 3rd complementary colors 2nd Composer, Adobe Every-line composite channels 2nd 3rd 4th composite histogramscomposite images compression and DCS files opening saving in PSD format compositing images blending transitions 2nd edge spill, correcting Extract hard-edged borders layer blending Photomerge positioning using opacity selecting edges compressing tonal range 2ndcompression archiving files EPS files GIF files 2nd 3rdJPEG files
[See JPEG compression] lossless lossy PICT files saving channels smallest files possible TIFF files 2nd consultants, scripting Contact Sheet II contact sheet packages content display buttons content filtering commands context-sensitive menus continuous-tone film recorders 2ndcontone images dye-sub printers film recorder output image mode considerations image resolution recommendations 2nd 3rd sharpening requirements stochastic screening vs. halftones Contract 2nd contracting selectionscontrast Brightness/Contrast Camera Raw adjustments 2nd 3rd Curves adjustments 2nd 3rd edge transitions for Web image colors increasing 2nd input level adjustments JPEG compression and Levels adjustments 2nd monitor calibration settings Soft Light layer adjustments Contrast blending modes Contrast control contrast ratio Conversion Options, Color Settings dialog box Convert Point tool Convert to Profile command 2nd 3rd 4th Convert to Working Space policy 2ndconverting alpha to spot color channels color spaces to profiles images to indexed color layers to spot color channels tagged to untagged images untagged to tagged imagesconverting to Grayscale Calculations dialog box Channel Mixer tool desaturating images Grayscale mode 2nd Lab mode luminance mask scanning in color selecting single channel cooling filters copies of files, saving Copy command Copy Merged commandcopying adjustment layers channels to layer masks images layer masks 2nd layers Web-safe colors copying and pasting pixels 2nd copyright data 2nd Corner Crop Marks Create Plane tool creative sharpening Creative Suite Color Settings command Creo Scitex systems Creo Spectrum crop marks, printing Crop toolcropping adjusting for keystone adjusting perspective Camera Raw images in page-layout programs multiple scanned prints resampling while resolution and rotating/moving while snapping to image edge TIFF images in layout programs tips for to aspect ratio Cropping tool crosshair cursorCRT monitors brightness 2nd 3rd gamma settings overview 2nd sharpness of images white point settings 2nd 3rd crunchies, avoiding 2nd 3rd CT (continuous tone) curve handles curve points 2nd 3rd 4th 5th Curve tab, Camera RawCurves adjusting contrast with 2nd adjustment layer edits 2nd examples of working with exercise eyedropper tools vs. Levelscurves curve types compared dot gain curves settings freehand number fields in saving and loading 2nd subtle tone 2nd transfer curves unthinkable curves Curves adjustment layers Curves command Curves dialog box adjusting curves color corrections determining pixel levels display options eyedropper cursor general tips gridlines Input field 2nd loading saved settings 2nd Output field 2nd placing points from images readouts 2nd saving settings selection masks specifying points numerically tonal corrections 2nd vs. LevelsCurves layers applying blending modes with layer blending modes masking cusp points Custom CMYK [See also Ink Colors] Black Generation popup menu Black Ink Limit 2nd 3rd caveats converting grayscale to CMYK creating ICC profiles Dot Gain Curves Dot Gain percentage ink options Separation Options section Separation Type simulating spot colors Total Ink Limit typical separation settings UCA Amount Custom Dot Gain Custom Gamma Custom Proof Condition menu custom working spaces |
لطفا منتظر باشید ...
