Real World Adobe® Photoshop® CS2 [Electronic resources] : Industrial-Strength Production Techniques نسخه متنی

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Real World Adobe® Photoshop® CS2 [Electronic resources] : Industrial-Strength Production Techniques - نسخه متنی

Bruce Fraser, David Blatner

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Index

[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[X]
[Z]

ICC profiles

black point compensation

CIE color models and soft-proofing

creating from custom CMYK settings

custom CMYK settings 2nd

custom grayscale settings

custom RGB settings

device profiles

dynamic range and

for desktop printers

for monitors

generic

in EPS files

in JPEGs

vs. custom CMYK 2nd

vs. Output Levels controls

Icon previews

IFF file format

IIM (Information Interchange Model)

illuminants

illustration programs, text handling

Illustrator

copying/pasting objects from

flattened composites

metadata in File Info dialog box

paths and 2nd

Smart Objects and

image browsers, and Full Size previews

image cache

image cache preferences

Image Cache value

image degradation

converting between color spaces

in compressed images

in GIF files

image ingestion

Image Interpolation

image maps

Image mode 2nd 3rd

image modes

Bitmap mode

CMYK mode 2nd

Duotone mode

Grayscale mode

HDR mode

Indexed Color mode 2nd

Lab mode

Multichannel mode

output method considerations

relation to file size

RGB mode
[See RGB mode]

image pixels

Image Previews

Image Processor

Image Pyramids

image resolution recommendations

image size

document size presets

Document Size section, Image Size dialog box

relation to resolution 2nd 3rd

Image Size dialog box 2nd 3rd

image verification

ImageReady

jumping to

master palettes

Photoshop and

preparing slices for

Web graphics and

images [See also files]

1-bit 2nd 3rd 4th

16-bit

4-bit

8-bit

batch renaming

batching

bitmapped 2nd

black-and-white

Camera Raw
[See Camera Raw images]

comparing

copying

defined

detail in

dimensions 2nd

duotones

duplicating

evaluation of

information about

moving

pixel-based

placing

problems reading

quadtones

raster

rating 2nd

raw
[See Camera Raw images]

reference 2nd

renaming

rotating

saving

size 2nd

sorting

transferring from camera to the computer

transparency in
[See transparency]

tritones

vector-based

washed out 2nd

imagesetters 2nd 3rd

imaging

contone images 2nd

hybrid screening methods

output method considerations

Include All Subfolders option

Independent blending modes

InDesign

clipping paths 2nd

color management systems

converting pages to Web images

DCS file handling

duotone handling

EPS preview images

flattened composites

Full Size previews

JPEG file handling

metadata in

printing from page-layout programs

printing to non-PostScript printers

screen angles

spot color channels 2nd

spot color names

TIFF image handling

ZIP and JPEG compression

indexed color 2nd 3rd

Indexed Color dialog box

indexed color images

color lookup tables

compression and

GIF files and

multimedia and Web images

options for saving

swapping numbered colors

Indexed Color mode 2nd

Info palette

grayscale images

multitone image setup

pixel value display

RGB readout

setup

working with color

ink

custom inkjet inks

effect on paper

Epson Ultrachrome

limiting amount of

printing order, multitone images

spot

ink black vs. monitor black

Ink Colors

Ink Options, Custom CMYK

ink sets

ink trapping 2nd

inkjet printers

CMYK working spaces

considerations 2nd

resolution 2nd

RGB working spaces

Input Levels controls, Levels dialog box

Intent menu

Interlaced option

interleaved color data 2nd

Interleaved option

International Color Consortium
[See ICC profiles]

International Press Telecommunications Council
[See IPTC]

interpolation 2nd

Interpolation setting

intersecting selections 2nd

Invert command

Invert Selection command

IPTC (International Press Telecommunications Council)

IPTC metadata 2nd

italic type


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