Index[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[X]
[Z]
D50 vs. D65 calibration Dark Matter Darken blending modes 2nd 3rd 4thdata loss 16-bit images 8-bit images advantages offrom tonal corrections
[See tonal corrections] highlight detail image degradation 2nd 3rd image editing and 2nd minimizing noise posterization data recovery data setsdatabases Camera Raw 2nd Full Size preview images and DCS 2.0 Format dialog boxDCS files advantages and disadvantages composites converting images to Proof Setup space EPS color separations links in multiple or single files printing from page-layout programs spot color channels DDC (Display Data Channel) connections default working spaces Delete button densitometers 2nd Depth popup menu, Camera Raw Desaturate Monitor Colors By desaturating colors 2nd 3rd 4th Deselect All command desktop printers Despeckle filter 2nd 3rd Destination settings Details view device color spaces Device to Simulate menu device-dependent colors 2nd device-independent colors 2nd device-independent RGB spacedevices device color spaces device profiles 2nd 3rd rendering intentsdialog boxes displaying in actions navigating opening palettes opening with last-used settings proxies and previewing saving and loading settings tips for diamond spot dictionaries 2nd Difference blending modediffusion dithering color laser printers compression and in GIF files stochastic screening techniquesdigital cameras camera profiles 2nd Camera Raw supported file formats default settings 2nd metadata from storing history of images TIFF images and transferring images to Use Auto Adjustments feature digital imaging digital masking tape Digital Raw 2nd [See also Camera Raw] Digital Raw Workflow Quick Start dimensions overview pixel relation to image resolution 2nd single-side slices Direct Selection tool Director, images fordisk space using adjustment layers 2nd virtual memory requirements Display Calibrator Display Data Channel (DDC) connections Display Options settingsdisplays
[See monitors] Dissolve blending mode distances, measuring Distillerdistortion adjusting barrel 2nd corrections lens pincushion 2nd Distribute Linked distributing layers distributing objectsdithering color laser printers in color space conversions 2nd in GIF files in JPEG files in WBMP files reducing stochastic screening techniques Web-safe colors and DNG ConverterDNG files metadata and save options for settings DNG format 2nd Document option Document Profile option document profiles 2nd document size presets Document Size, Image Size dialog box document space Don't Color Manage This Document Done button, Camera Rawdot gain custom CMYK settings custom Grayscale settings custom Spot settings measuring Photoshop dot gain calculations dot gain curves 2nd 3rddots halftone images highlight 2nd minimum/maximum retouching spots 2nd shadow dots per inch (dpi) 2nd download speed, Web images downsampling high-bit files at print time rescreening halftones TIFF images dpi (dots per inch) 2nd Drag and Dropdragging/dropping images 2nd images for slide show layers path segments pixels selections 2nd 3rd thumbnails drop shadows 2nd droplets duotone curves adjustments canned curves curve adjustments 2nd curve types compared Duotone vs. CMYK and Multichannel focusing ink plates matching gray wedges saving and loading Stephen Johnson's curve sets unthinkable curves duotone images 2nd colorizing images compressing tonal range converting Multichannel to CMYK converting to CMYK Duotone vs. CMYK and Multichannel EPS files expanding tonal range file formats flat-tint duotones focusing ink plates InDesign handling Info palette setup ink printing order output issues 2nd overprint colors proofing PSD files screen angles screen colors, adjusting selecting ink tones TIFF files viewing channels Duotone mode 2nd 3rd Duplicates Selected Frames button duplicating images duplicating layers Dust and Scratches filter 2nd dust, retouching spots 2nddye-sublimation printers contone output image mode considerations image resolution 2nd dynamic range 2nd 3rd 4th 5th |
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