Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to RealWorld PostProduction [Electronic resources] نسخه متنی

اینجــــا یک کتابخانه دیجیتالی است

با بیش از 100000 منبع الکترونیکی رایگان به زبان فارسی ، عربی و انگلیسی

Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to RealWorld PostProduction [Electronic resources] - نسخه متنی

Sean Cullen, Matthew Geller, Charles Roberts, Adam Wilt, Nancy Peterson

| نمايش فراداده ، افزودن یک نقد و بررسی
افزودن به کتابخانه شخصی
ارسال به دوستان
جستجو در متن کتاب
بیشتر
تنظیمات قلم

فونت

اندازه قلم

+ - پیش فرض

حالت نمایش

روز نیمروز شب
جستجو در لغت نامه
بیشتر
لیست موضوعات
توضیحات
افزودن یادداشت جدید


Solving 24P DV Capture and Pulldown Issues


Many editors are now entering the exciting world of 24P production, whether in DV, HD, or film postproduction. (We use the term 24P for both true 24 and 23.976 frame-per-second video, although you'll learn about the variations between them later in this section.)

FCP, as well as many third-party capture devices, has the ability to detect and read the 24P advanced pulldown flag. When you capture 24P advanced clips by using the dedicated DV NTSC 48 kHz Advanced (2:3:3:2) Pulldown Removal, FCP automatically removes the tagged frames. FCP regards the subsequent clips as true 23.98 fps clips without any trips into Cinema Tools for reverse telecine.

When editing 24P footage in FCP, there are a few places where you might run into problems.

841

Pulldown errors

#1: FCP can't find pulldown information

Your deck or camera doesn't read non-drop frame timecode

When capturing 24P, use a camera that reads non-drop frame timecode, page 842

#2: Trouble removing pulldown after capturing footage

You didn't change capture preset before capture

Use FCP's Remove Advanced pulldown feature, page 843

/ 204