Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to RealWorld PostProduction [Electronic resources] نسخه متنی

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Apple Pro Training Series: Optimizing Your Final Cut Pro System: A Technical Guide to RealWorld PostProduction [Electronic resources] - نسخه متنی

Sean Cullen, Matthew Geller, Charles Roberts, Adam Wilt, Nancy Peterson

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Index

[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[K]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[X]
[Y]
[Z]

camera rolls

transfers

Capture Scratch directory

capturing/captured media

24p DV capture and pulldown film

frame rates

24P DV render and pulldown errors

audio capture

Batch Capture window

capture device selection, genlock

capture mode

Capture Now

direct-to-disc camera files

dropped frames

consistently 2nd

intermittently 2nd

DV over FireWire

file management

FireWire capture problems 2nd

HDV over FireWire

medium selection

deciding factors

film negatives

picture capture

direct to-disk-camera files

film negatives

overview

selection factors

tapes

process

combining video and audio

complete tape

editing marked clips and subclips

importing media

logging and capturing media

merged clips

planning

sync point marking

sound capture

DAT tapes 2nd

files

hard disk recorders 2nd

overview

picture tapes

sync techniques

stand-alone uncompressed systems

device selection

installing capture cards 2nd

sync techniques, SMPTE

video capture

DV over FireWire

FireWire DV converters

FireWire uncompressed converters

HDV over FireWire

internal HD and SD cards

PCI cards

syncing audio and video

CCIR-601specification
[See ITU-R BT.601 specification]

CDs (compact discs), archive medium

change lists

exporting

integrity

leaders

pull lists 2nd

chroma color

chroma crawls

CIFS (Common Internet File System)

Cineform HD codec

Cinema Tools

appending filename extensions

audio EDLs

change lists 2nd

change pull lists 2nd

clip preparation

capture mode

commands, Batch Reverse Telecine

commands, Conform feature 2nd

commands, Reverse Telecine

field patterns

key number patterns

cut lists 2nd 3rd

comparing keycode numbers against edited sequences

fixing missing elements

locating/matching records, clip- and timecode-based

reel adjustments and balances

database

accuracy

Connect Clips command

Detail View

Find command

importing telecine events log

importing/exporting XML batch list

List View

manual input

manually entering scene and shot information

overview

Reconnect Clips command

Synchronize command

discard lists 2nd

dupe lists

film clip naming conventions

film lists

comparing window burns of key numbers or ink numbers

duplicate frames

exporting

film standards

film supported

Find command 2nd

foreground layer lists

information exchange

missing elements lists

motion effects lists

comparing window burns to key code numbers

optical lists

overview

pull lists

Reverse Telecine feature

scene lists

warning lists

Cinepak

CIPs (Customer Installable Parts)

clips

clip-to-database links

Creator property

frame rates, changing

merged clips

mismatched attributes

motion attributes

naming conventions

nesting with keyboard shortcuts

preparation

capture mode

field patterns

key number patterns

long frames

Reverse Telecine command

recapturing

reconnecting

altered

mismatched attributes

missing

Reconnect Clips Cinema Tools command

sharing

clusters

codecs (COmpressor/DECompressors)

Capture

data reduction

DCT

intraframe

lossless/lossy

overview

spatial

temporal

wavelet based

color

composite color

Mac OS X system preferences

Color Corrector (one-way)/Color Corrector (3-way)

color space

color difference components

problems with differences

clipping 2nd

luma and chroma clamping 2nd

RGB and YUV

color television broadcasting

color television recording

color under

component recording

timing differences

digital recording

direct color

playback

timebase errors

colorburst signals

Comment A/B columns, exporting to EDL

Comments (Spotlight)

Common Internet File System (CIFS)

compact cassette analog audio formats

component analog video interfaces 2nd

component recording

gain imbalances

ITU-R BT.601 specification

timing differences

composite analog video interfaces 2nd

composite color

composite recording

Compressor 2nd

converting frame rates

COmpressor/DECompressors
[See codecs]

computer systems

ADC

AGPs

CIPs

desktops

device drivers/interconnections

DVI

GPUs

PowerPC G4 or G5 processors

RAM

VGA

Conform feature, Cinema Tools 2nd

conforming film negatives

definition

consumer TV, playback monitor

contact printing

standard-length durations and cut handles

transitions

Control-L control interface 2nd

Control-M (Panasonic 5-pin) control interface 2nd

Control-S control protocol 2nd

Core Audio Drives

cross-color and -luma artifacts

CRT monitors

Customer Installable Parts (CIPs)

cut handles

preferred allowances

cut lists 2nd

comparing keycode numbers against edited sequences

fixing missing elements

locating/matching records, clip- and timecode-based

reel adjustments and balances

cutback frames

cylinders

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