1. | Choose File > Open and select 9-4 Sustain from the Lesson_09 folder.The song 9-4 Sustain is a variation of the song Highway Bound. |
2. | Double-click the Hollywood Strings region in the top track to open that region in the Track Editor. |
3. | Locate the Display pop-up menu in the Advanced section of the Track Editor. |
4. | Click the Display pop-up menu and choose Sustain to view the Sustain controller movement in the Track Editor. |
5. | Click-drag the Track Editor's Zoom slider to the far left to zoom all the way out in the Track Editor. |
6. | Press S to solo the selected track. |
7. | Play the track and watch the playhead move in the Track Editor across the Sustain controls.The Sustain controls in the Track Editor look like a series of dots and lines. These dots and lines form blocks that represent the sustain used as the song was recorded. If you look at the Sustain controller information, you will see a line near the bottom that is marked 0 and another line near the top that is marked 1. The lower line (0) represents the pedal in the off position, and the upper line (1) represents the pedal in the on position. If the pedal is held down for most of the song, as it was in this recording, you will see a series of blocks that represent a note or group of notes that are played and sustain until they end. When a new note or group of notes is played while the pedal is held down (on position), a new block forms. If the pedal is released, you will see a space between the blocks with a straight horizontal line at the off (0) position line. |
1. | Move the scroller at the bottom of the Track Editor to view the song from the 16th to the 21st measures. |
2. | Click the Beat Ruler in the Track Editor at the beginning of the 16th measure. |
3. | Play the Timeline from the 16th to the 20th measure.As you listen, pay close attention the last two notes around the 18th measure. See if you can detect when the sustain ends for those notes.The sustain ends at the 19th measure. From the 19th measure to the 2nd beat of the 20th measure, the sustain block in the Track Editor is actually a block without any notes played. Then there's a blank space to show that the sustain pedal was released (not pressed).Let's shorten the silent area, where the sustain was released, and extend the section with the notes to sustain their sound a little longer. |
4. | Click the upper-right control point on the sustain blockthe one that ends at the 19th measureand drag it to the 3rd beat of the 19th measure (halfway between the 19th and 20th measures). The sustain block to the right of the 19th measure disappears to make room for the extended sustain.NoteThe Cmd key changes the pointer to a pencil. However, both the pointer and the pencil do the same thing in this example. You can use either one. |
5. | Play the section of the song again from the 16th to the 20th measures and listen to the new extended sustain on the last notes.The notes now sustain until the 3rd beat of the 19th measure, exactly where you set the Sustain controls. |
6. | Press Cmd-S to save your project. |
1. | Choose File > Open and select 9-5 Pitch Bend from the Lesson_09 folder.This project contains two Fretless Bass Software Instrument recordings. Both were recorded from the same keyboard. In the first track, I played each note separately. In the second track, I used the Pitch Bend controller on the keyboard to bend the notes in order to emulate the sound of a fretless bass.The Track Editor should be open so you can view the Pitch Bend controller movement. If the Track Editor is not open, press Cmd-E to open the Track Editor and choose Pitchbend from the Display pop-up menu. |
2. | Click the Solo button on the top track (if it is not already soloed) to isolate this track. |
3. | Play the track to hear the bass recording without pitch bend.Notice the Track Editor shows no movement or changes for pitch. |
4. | Press S to unsolo the top track. |
5. | Press the down arrow to select the lower track. |
6. | Press S to solo the lower track.Notice that the lower track shows a series of control points and lines indicating the change in pitch. The center line is the actual note that is played. The section above the center line illustrates that the pitch of the original note was bent one step (one note) higher. The section below the center line illustrates that the pitch of the original note was bent one step (one note) lower. |
7. | Play the entire region on the second track and watch the Pitch Bend display in the Track Editor.The diagonal lines that move from the center line to the note above or below the line indicate the actual movement of the Pitch Bend control on the keyboard.You can click-drag the control points in the Pitch Bend display to change the timing of when a pitch change occurs and to change the bend in the pitch. The best way to get a feeling for pitch bending is to actually get in there and try it and hear the results. |
8. | Click-drag one of the control points around the beginning of the 4th measure downward toward the center line to hear the pitch of the note bend lower. |
9. | Experiment with bending the sound of the notes either one full note higher or lower. |
10. | Press Cmd-S to save your project. |