Adobe Premiere Pro 2.0 [Electronic resources] نسخه متنی

1.

Open Premiere Pro to the Lesson 12 project.

2.

Drag Ad Cliches 12 Mono.wav to the Audio 1 track (it's a mono track) of the Lesson 12 Practice sequence.

Feel free to play this little ditty.

3.

Open the Audio Effects > Mono folder.

There are 19 Mono audio effects.

4.

Drag Bass to the Ad Cliches clip, open the Effect Controls panel and twirl down its two disclosure triangles.

5.

Play the clip and move the Bass Boost slider left and right. This increases or decreases bass.

6.

Delete Bass from the Effect Controls panel and add Delay. Try out its three parameters:

• Delay Time before the echo plays (0 to 2 seconds).

• Feedback Percentage of echo added back to audio to create echoes of echoes.

• Mix Relative loudness of echo.

7.

Play the clip and move the sliders to experiment with the effect.

Lower values are more palatable, even with this over-the-top audio clip.

Adobe Certified Expert exam objective

Describe the options and process required when working with clip-based effects by using the Effect Controls panel. Author's note: This is the same objective I listed in the video effect lessons. It applies to audio effects as well.

8.

Delete Delay and add PitchShifter to the Effect Controls panel.

This has three nifty items: knobs, presets and a Reset button. You can tell an audio effect has presets by the tiny triangle next to what would normally be the Reset button () and the addition of a rectangular Reset button (both highlighted in the next figure).

9.

Try some of the Presets and note their values below the knobs in the Effect Controls panel.

10.

Use the Individual Parameters sliders and apply keyframes at the beginning and end of a few phrases.

Use wildly different Pitch settings from -12 to + 12 semitone steps (2 steps equals a second in musical parlancefrom C to D for example) and switch Formant Preserve on and off.

11.

Delete Ad Cliches from the sequence and replace it with Music 12 Mono (you can do that by dragging Music 12 Mono to the beginning of the sequence, on top of Ad Cliches, to do an Overlay edit).

12.

Drag Treble to that clip and increase its parameter.

This guitar clip lends itself to a treble boost.

13.

Delete Treble, drag Reverb to the Effect Controls panel and open Reverb's

Custom Setup.

14.

Play the clip and drag the three white handles in the display to change the character of the reverb.

This is a fun effect that can give audio recorded in a "dead" rooma room like a recording studio with minimal reflective surfacessome real life. As shown in the next figure, each of the three handles in the graphic control corresponds to a knob below it:

• Pre Delay The apparent distance the sound travels to the reflecting walls and back.

• Absorption How much of the sound is absorbed (not reflected).

• Mix The amount of reverb.

  Additional controls:

• Size The apparent relative size of the room.

• Density The density of the reverb "tail." The larger the Size, the greater the Density range (from 0-100%).

• Lo Damp Dampens low frequencies to prevent the reverb from rumbling or sounding muddy.

• Hi Damp Dampens high frequencies. A low Hi Damp setting makes the reverb sound softer.
  

  
  

Reverb's rack of control knobs is a signal that this is a