Manipulating keyframes and effect parameters: Lesson 9-2
Virtually all parameters for all video effects are keyframeable. That is, you can change the effect's behavior over time in myriad ways. For example, you can have an effect gradually rack out of focus, change color, warp into a funhouse mirror, or lengthen its shadow.
1. | Expand the display of the Effect Controls panel until its view is wide enough for the Show/Hide Timeline View chevron (![]() |
2. | Delete the Wave Warp effect and drag Fast Blur In from Presets > Blurs to the Effect Controls panel. |
3. | Play the clip to see how this preset works. The clip starts at the maximum blur value and sharpens at the one-second point.[View full size image]![]() |
4. | Drag the effect's second keyframe to the right and play the clip now.It takes longer for the blurred image to sharpen into focus. Keyframes are not permanently affixed. You can change their position without changing their value. |
5. | Delete the Fast Blur effect, drag Replicate (Stylize folder) to the Effect Controls panel and twirl down its single disclosure triangle. |
NoteReplicate has a Setup dialog box, but like other video effect setup dialog boxes, there are no keyframe controls within it. So for this exercise, work within the Effect Controls panel.
6. | Put the CTI at the beginning of the clip (with the Effect Controls panel active, press Home or Page Up). |
7. | Click the Lesson 9-3. [View full size image] ![]() |
8. | Drag the CTI to about the 1-second point.Locate the 1-second point by looking in the Program Monitor or the Timeline Time Ruler. It's generally not easy to see an exact time in the Effect Controls timeline unless you really widen its viewing area. |
9. | Change the Replicate effect's Count parameter to 9 (mid-way between this effect's minimum and maximum values). |
NoteThat automatically adds another keyframe at that point, since changing a parameter at a location without a keyframe automatically adds a new keyframe.
NotePressing Page Down takes you to the frame following the last frame in a selected clip. That is by design. When you use the keyboard shortcut Page Down you want to go to the start of the next clip, not the final frame of the current clip.
NoteYou can drag the Value Graph button only up or down. It will not allow you to move it left or right, to avoid inadvertently changing the keyframe's time position within the clip.

19. | Drag Lesson 9 Text from the Project panel to the sequence after the video clip, position the CTI on it and click on it to display its parameters in the Effect Controls panel. |
NoteIf you don't move the CTI to the clip you're applying an effect to, you won't see that clip or its effect in the Program Monitor. Selecting a clip does not move the CTI to that clip.
NoteEffects are great ways to animate or move a graphic or text over a video clip. [View full size image]

Extra credit: Following action and combining multiple effects
I prepared four effect presets for you to deconstruct. One is a single effect that follows action. The others are three effects that work together. I suggest you check them out. Feel free to change the parameters as much as you want. You can always delete your work and start over by dragging the presets back into the Effect Controls panel.Creating an effect preset
![]() | If you plan to reuse an effect with keyframes, save it as a preset. To do that, set your keyframes, parameters, and interpolation controls (I cover interpolation in Lesson 9-3), click the effect name in the Effect Controls panel, open the Fly-out Menu, select Save Preset, give it a name, note whether to scale it to the clip length or anchor it to the clip In- or Out-Point, then click OK. It'll show up in the Presets folder. |
1. | Open the Effects panel's Fly-out Menu, select Lesson 9 presets one at a time.Lesson 9 Radial Blur to the Effect Controls panel and twirl down all its disclosure triangles. The Effect Controls panel should look like the following figure.Lesson 9 Radial Blur and drag the three other Lesson 9 Presets (in this order)Motion, Camera View, and Lens Flareto the Effect Controls panel. |
Effect order counts
6. | Twirl down all the disclosure triangles that have the Toggle Animation stopwatch turned on (including Position in the Motion fixed effect).If you see a sweep hand in the stopwatch, keyframes have been switched on. There are too many keyframed parameters in this combination of effects to see them all in a single screen without scrolling through them, but the middle of your Effect Controls panel should look like the following figure (I sliced it in two to fit better on this page).[View full size image]![]() |
7. | Play this effect-combo.My goal when I put together these effects was to move the clip through 3-D space and move a lens flare across it. For a Lens Flare to look realistic, there needs to be movement (either camera movement or clip motion).![]() |
8. | Make as many changes as you want. Experiment, deconstruct, delete and start all over. The purpose is to become comfortable with adding, moving, changing, and deleting keyframes. |
9. | Delete all the effects, either one at a time or click the Effect Controls panel's Fly-out Menu and select Delete All Effects from Clip.That does not delete Motion nor change its parameters. |
10. | Click the Motion > Position Toggle Animation button to remove all keyframes and click Motion's Reset button to return the Motion parameters to their default values. |