Adobe Premiere Pro 2.0 [Electronic resources] نسخه متنی

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Adobe Premiere Pro 2.0 [Electronic resources] - نسخه متنی

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Trying some transitions: Lesson 6-1


Premiere Pro ships with nearly 80 video transitions (plus two audio transitions that I cover later in the book). Some are subtle, and some are "in your face." The more you experiment with them, the more likely you are to use them well.

Applying a transition between two clips starts with a simple drag-and-drop. That might be enough for many transitions, but Premiere Pro gives you a wide variety of options to fine tune transitions. Some transitions have a Custom button that opens a separate dialog box with sets of options unique to each. And most offer tools that allow you to position the transition precisely.

Adobe Certified Expert exam objective


Describe the tools, options, and process required to add transitions.

In Lesson 6 Intro video.


1.

Open Premiere Pro and open the Lesson 6-1 project.

2.

Select Windows > Workspace > Effects.

This changes the workspace to the preset that the Premiere Pro development team created to make it easier to work with transitions and effects.

3.

Open the Lesson 6 Finish sequence in the Timeline and watch that sequence.


Lesson 6 Finish by the end of this lesson. It has too many frame-specific edits to be a practical learning tool. On the other hand, you will work with all the transitions and options I used to create it.


4.

Click the Lesson 6-1 Start tab in the Timeline.

5.

Drag and drop Video 6a and Video 6b to the Video 1 track and press the backslash key to expand the view.


Note

There are little triangles in the upper right and left corners of both clips (highlighted in the next figure). They indicate that the clips are at their original, full length. For transitions to work smoothly you need handlessome unused head and tail frames to overlap between the clips. Trimming both clips will give you those handles.



6.

Select the Ripple Edit tool (shortcut B) and drag the end of the first clip to the left to shorten it by at about 2 seconds (note the time in the pop-up display).

7.

Use the Ripple Edit tool to drag the beginning of the second clip to the right to the point where the dancer starts dancing (to create a match edit with the previous clip) at about 2 seconds into the clip.

8.

Press the backslash key (\) to expand the Timeline view, and press V to switch back to the Selection tool.


Note

Since you used the Ripple Edit tool, these two trims should have no gap. If there is a gap, right-click it and select Ripple Delete.


9.

Open the Effects panel and open the Video Transitions > Dissolve bin.

10.

Drag Cross Dissolve to the edit between your two clips on the sequence, but do not release the mouse button just yet.


Lesson 2, Cross Dissolve has a red box around it indicating it's the default transition.


11.

While still holding down the mouse button, move the cursor to the left and right and note how the cursor and the highlighted rectangle on the clips change (see next figure). You can place the transition such that it ends at the edit point, is centered on the edit point, or starts there.


12.

Place the transition at the middle of the edit point and drop the transition there.

13.

Put the CTI ahead of the transition and press the spacebar to play it.

The transition has a 1-second duration by default.


Changing the default transition and duration



There are two primary uses for the default transition: when automating a storyboard to a sequence or as a quick means to add a transition using the keyboard shortcut Ctrl+D. As I mentioned in Lesson 2, you can set a different default transition. To do that, select the transition you want to use, open the Effects panel's Fly-out Menu, and select Set Default Transition. A red box will appear around that transition. If you select Default Transition Duration, that opens the General Preferences dialog box where you can change that setting.


14.

Open the 3D Motion bin and drag Curtain to the beginning of the first clip. Note that the only placement option is to have the transition start at the edit point.

One very cool characteristic of transitions in Premiere Pro is that you can use them at the beginning or end of a video. This is called a single-sided transition (double-sided transtions go between clips).


15.

Press Home to move the CTI to the beginning of the Timeline and play the transition. This is a slick way to start a video.



Transitions on any track



Premiere Pro lets you place transitions between two clips (or at the beginnings or ends of clips) on any track in a sequence. Older versions of Premiere limited transitions to the Video 1 track. One very cool use of single-sided transitions is to put them in clips on higher tracks so they gradually reveal or cover up what's below them in the Timeline. I use only a single track in these lessons to simplify things and because transition behavior on the Video 1 track is the same as on any other track.


16.

Drag the Curtain transition to the end of the second clip.

17.

Click the Effect Controls tab to open the Effect Controls panel.

18.

Click the Curtain transition rectangle at the end of the clip in the Timeline to switch on the display of its parameters in the Effect Controls panel.

19.

Click the Reverse checkbox (highlighted in the next figure) to have the curtains close at the end of the clip. It's a slick finish.


Lesson 6-2.



20.

Open the Page Peel bin and drag Center Peel to the Cross Dissolve transition between the two clips. That replaces Cross Dissolve with Center Peel. Play that transition.


Note

The next step calls for the use of a GPU (graphics processor unit). If your PC does not have a GPU with enough horsepower to handle the GPU effects in Premiere Pro, those effects will not show up in the Effects panel. In that case, skip the next step.


21.

Open the GPU Transitions bin and drag Center Peel (yes, it's the same name but a different effect) to the non-GPU version of the Center Peel transition in the Timeline. Play that transition.

Notice how different the GPU version looks from the non-GPU accelerated transition. In particular, the GPU version plays the video on the reverse side of the peel.

The standard Center Peel transition (left) versus the GPU-accelerated Center Peel transition (right).



22.

Test out some other transitions. I suggest you try at least one from every bin (except Mapit's beyond the scope of this lesson).



Additional transitions to try out


Here are the transitions I used in the Lesson 6 Finish Sequence that you have not tried yet: Page Roll, Push, Three-D (the only one in the Special Effect bin relevant to this lesson), Wipe, Zoom Trails, Iris Round, Split, and Funnel. You will work in greater detail with most of these in Lesson 6-2.

To find them one at a time in the Effects panel, start typing their name in the Contains box and they'll appear as shown in the next figure.



Sequence display changes


When you add a transition to a sequence a short red horizontal line appears above that transition (highlighted in the next figure). That red line means that this portion of the sequence must be rendered before you can record it back to tape or create a file of your finished project.

Rendering happens automatically when you export your project, but you can choose to render selected portions of your sequence to make those sections display more smoothly on slower PCs. To do that, slide the handles of the Work Area Bar (highlighted below) to the ends of the red rendering line (they will snap to those points) and press Enter. Premiere Pro will create a video clip of that segment (tucked away in the Preview Files folder with an indecipherable file name) and will change the line from red to green.


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