Using a storyboard to build a rough cut: Lesson 5-1
You've seen Lesson 5 Intro video.
1. | Open Premiere Pro. |
2. | Click Open Project, navigate to the Lesson 5 folder and double-click Lesson 5-1.prproj. |
NoteThis is a DV-NTSC Standard 48kHz project.
3. | Double-click on an empty space in the Project panel (or select File > Import) and import all the assets (except the project files) from the Lesson 5 folder: Audio 5a.wav, Lesson 5 Finish.wmv, and 14 video clipsVideo 5a.avi-Video 5n.avi.![]() |
4. | Double-click Lesson 5 Finish.wmv in the Project panel to put it in the Source Monitor. Play it. |
Lesson 5-2 (if you do the brief extra credit work). It's a compressed WMVWindows Media Videofile. It's a bit blurry and intended to run only in Premiere Pro's Program Monitor, or in Windows Media Player running in less than a full screen mode.

NoteSelecting Copy when you've highlighted multiple clips will copy the entire collection of clips.

8. | Right-click on the Storyboard bin and select Paste.All 10 video files will show up under the Storyboard bin. They will remain in the main Project panel as well. |
NoteI had you Copy/Paste the video files into the separate Storyboard bin because you will delete some of them. In this way, you delete them from the Storyboard bin but not from the Project panel.
9. | Ctrl+click on the Project panel and drag it out of its frame to create a floating window. |
10. | Click the Icon button to switch to Icon view. |
NoteEven though the Storyboard video files were highlighted, shifting to Icon view returns you to the top-level Project panel view.
11. | Double-click the Storyboard file folder thumbnail to display its 10 videos. |
12. | Click the Fly-out Menu and select Thumbnails > Large.![]() |
13. | Expand your Project panel view to display all ten clips.As shown in the next figure, you'll end up with a 3x4 grid (depending on the size of your workspace and other factors, it could be a different shape, like 2x5).[View full size image]![]() |
Arranging your storyboard
The purpose now is to arrange the thumbnails into a logical order. Before I tell you what I think that order should be, do the steps below to see what you can come up with. Keep in mind that you will trim some clips later to make the edits work more smoothly.View each clip in the Preview monitor by clicking each clip to select it and then clicking the Preview monitor Play button (highlighted in the previous figure).Decide which clips do not work in this sequence and settle on an order for the remaining clips. Take some time working on this before continuing with this lesson. Selecting an order for clips is something you will do time after time.NoteSome of the videos are a little dark and can be hard to view critically in the Project panel Preview Monitor. In those cases, double-click on a clip and view it in the Source Monitor. Here's the order that I think works well: Video 5f, 5e, 5c, 5h, 5i, 5b, and 5g. I think the following clips don't work in this sequence: Video 5a (one-handed break dance move doesn't match other clips), 5d (doesn't match other spinning moves) and 5j (hand by ear doesn't match other shots).Here's how to create my recommended sequence:
No word wrap
NoteAs you drag clips, you will leave gaps. Use Clean Up to remove those gaps.

Your Storyboard should look like the next figure.[View full size image]

Automating your storyboard to a sequence
Now you're going to move your storyboard clips to the Timeline, placing them there contiguously, in sequential order. Premiere Pro calls this Automate to Sequence . Here's how you do it:
NoteYou can also open the Fly-out Menu and select Automate to Sequence.

In the newly opened Automate to Sequence dialog box you face several options (see figure on next page):
- Ordering Sort Order puts clips on a sequence in the order you established in the Storyboard. Selection Order places them in the order you selected them if you Ctrl+clicked on individual clips.
- Placement Places your clips sequentially on the Timeline as opposed to at unnumbered markers (something we haven't covered).
- Method The choices are Insert or Overlay. I discuss both concepts later in this lesson. Because here you are placing the clips on an empty sequence, both methods will do the same thing.
- Clip Overlap Overlap presumes that you'll put a transition such as a cross-dissolve between all clips. The goal in this lesson is to create a cuts-only video; that is, a video with no transitions. Set Clip Overlap to zero.
- Apply Default Audio/Video Transition Because you'll opt for no transitions, uncheck these boxes.
- Ignore Audio/Video These clips have no audio so these options are inactive.

NoteView this sequence critically. Several edits are jump cuts or feel awkward. Some clips are too long. Your task in the next two lessons is to fix those flaws.