Adobe Premiere Pro 2.0 [Electronic resources] نسخه متنی

اینجــــا یک کتابخانه دیجیتالی است

با بیش از 100000 منبع الکترونیکی رایگان به زبان فارسی ، عربی و انگلیسی

Adobe Premiere Pro 2.0 [Electronic resources] - نسخه متنی

| نمايش فراداده ، افزودن یک نقد و بررسی
افزودن به کتابخانه شخصی
ارسال به دوستان
جستجو در متن کتاب
بیشتر
تنظیمات قلم

فونت

اندازه قلم

+ - پیش فرض

حالت نمایش

روز نیمروز شب
جستجو در لغت نامه
بیشتر
لیست موضوعات
توضیحات
افزودن یادداشت جدید


Making compositing part of your projects


You see compositing when you watch a TV meteorologist standing in front of a map or other graphic. As shown in the following photos, most times they're standing in front of a green or blue wall. The technical director uses a keying effect to make that wall transparent, and then inserts a weather graphic. You can do the same thing in your video projects using a Premiere Pro video keying effect.

Matt Zaffino, Chief MeteorologistKGW-TV, Portland, Oregon.

[View full size image]

Most computer games with live actors, and many movies use compositing. "Green screen" studios enable game developers and film directors to place actors in science fiction and other settings created with 3D computer graphics. Such sets make it possible for actors to work in relative safety while the finished product shows them dangling from a skyscraper, hundreds of feet in the air.


Shooting videos with compositing in mind


Making keying effects work well takes some extra effort. Proper backdrop colors, lighting, and keying techniques all come into play. You need to consider which keying effect will work best for your circumstances.

Adobe Certified Expert exam objectives


Lesson 13-4.

  • For most keying shots you need to use a tripod and lock down your camera. Bouncing keyed objects create viewer disconnects. There are exceptions to this rule. Typically, if you're keying in wild, animated backgrounds then camera movement will not be a problem.

  • Most times you want your background (or the other images you'll insert in the transparent areas you create with keying effects) to match those keyed shots. If you're working with outdoor scenes, try to shoot the keyed shots outside or using lights balanced for daylight.



  • Examples of composited clips


    Before you get started on this lesson, take a look at some composited clips I created for the upcoming mini-lessons. This is to give you an idea of some of the compositing techniques that you will work on.


    1.

    Open Premiere Pro to Lesson 13. Its Project panel is loaded with a wide range of goodies: graphics, videos, still images, and mattes.

    2.

    Open the Lesson 13 Finish sequence and take a look at the collection of composited clips there:

    • Three views of the Duomo, the main cathedral in Sienna, Italy: superimposed over a sunset, with an added stained glass window, and with both a sunset and stained glass.

    • A model shot in front of a green screen with an animated background inserted behind her.

    • Leaves floating over a sunset created with the Luma key.

    • A cat's eyes revealed in the sky using a garbage matte key.

    • An image revealed in another image using the Track Matte Key and a blur effect.

    • A traveling matte that highlights and moves with a horse and rider.


    / 203