Adobe Premiere Pro 2.0 [Electronic resources] نسخه متنی

اینجــــا یک کتابخانه دیجیتالی است

با بیش از 100000 منبع الکترونیکی رایگان به زبان فارسی ، عربی و انگلیسی

Adobe Premiere Pro 2.0 [Electronic resources] - نسخه متنی

| نمايش فراداده ، افزودن یک نقد و بررسی
افزودن به کتابخانه شخصی
ارسال به دوستان
جستجو در متن کتاب
بیشتر
تنظیمات قلم

فونت

اندازه قلم

+ - پیش فرض

حالت نمایش

روز نیمروز شب
جستجو در لغت نامه
بیشتر
لیست موضوعات
توضیحات
افزودن یادداشت جدید







Outputting tracks to submixes: Lesson 12-4


You place your audio clips into audio tracks on the Timeline. You can apply effects and set volume and panning on a clip-by-clip basis. Or you can use the Audio Mixer to apply volume, panning and effects to entire tracks. In either case, by default Premiere Pro sends audio from those clips and tracks to the Master track.

But sometimes you might want to route tracks to submix tracks before sending them on to the Master track.

The purpose of submix tracks is to save you steps and to ensure some consistency in how you apply effects, volume and panning. In the case of the "Sonoma" recording, you can apply Reverb with one set of parameters to the two choir tracks and Reverb with different parameters to the three instruments. The submix can then send the processed signal to the Master track, or it can route the signal to another submix.


1.

Right-click on an audio track header in the Timeline and, using the next figure as a guide, select Add Tracks. Set the Video and Audio Tracks Add values to 0, Audio Submix Tracks Add to 2, Submix Track Type to Stereo and click OK.

That adds two submix tracks to the Timeline, two tracks to the Audio Mixer (they have a darker hue), and adds those submix track names (Submix 1 and Submix 2) to the drop-down lists at the bottom of the Audio Mixer.


2.

Click the Left track's Track Output Assignment drop-down list (at the bottom of the Audio Mixer) and select Submix 1.


3.

Do the same for the Right track.

Now both the Left and Right tracks have been sent to Submix 1. Their individual characteristicspanning and volumewill not change.

4.

Send the three instrument tracks into Submix 2.

5.

Apply Reverb to the Submix 1 track, click its Solo button, play the audio and adjust the Reverb parameters to make it sound like the choir was singing in large auditorium (setting Size to about 60 is a good place to start).

6.

Apply Reverb to the Submix 2 track, click its Solo button, switch off the Submix 1 Solo button (you can

solo more than one track, but in this case you want to solo only Submix 2), play its audio and set its parameters to create a sound a bit less dramatic than the voices.

7.

Check the Solo button on Submix 1 and listen to these two submixes as a single mix to see how they sound.

Feel free to tweak the Volume and Reverb settings.



/ 203