Single-line vs. Paragraph ComposersSingle-line composerslike the ones in QuarkXPress and Adobe PageMakeronly sets one line of type at a time, ignoring the lines above and below it. The result of this process is that, while many lines may look fine, some lines in a parargraph will be looser or tighter, giving an overall unevenness to the "color" of justified type.InDesign includes a single-line composer, too, but it also has a "paragraph composer" which almost always sets better-looking type. Paragraph CompositionA paragraph composer has a more complex job: While it uses the same rules for hyphenation and justification as the single-line composer (based on the Hyphenation and Justification dialog boxes; see Chapter 48), it looks through all the words of the paragraph in deciding how lines should end. It evaluates a complex network of choicessometimes looking backwardand moves words up and down between lines until the best overall appearance is reached (see Figure 46-1). You can see this process when typing in InDesign. As you type, words you already have typed are shifted up and down, or hyphenated. Figure 46-1. Single-line and Paragraph composer![]() Most of the time, you'll probably want to compose your type using the Adobe Paragraph Composer, which is InDesign's default choice. Occasionally, you may want to try the single-line composer. For example, type set with the single-line composer usually takes up slightly more space, so you might want to choose this to match the copyfitting of a legacy document. You can choose among the two composers in the Paragraph palette's flyout menu, or when creating a paragraph style. |